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World Cinema, Theology, and the Human builds an engaging intertextual dialogue between nine acclaimed films of world cinema and a range of theological perspectives that touch on the theme of human experience. This book engages with the power of film to trigger hermeneutical impulses and theological conversation stemming from resonant humanity unfolding onscreen. However, it is film as art, not theology as normative text, which lays down a bridge to the possibility of critical dialogue. In this approach, film is emancipated from a theological agenda, and as an art form, given space to speak on its own terms in dialogue with theology.
Antonio D. Sison, C.PP.S., Ph.D. is Assistant Professor of Systematic Theology at Catholic Theological Union, Chicago. He is the author of Screening Schillebeeckx: Theology and Third Cinema in Dialogue (2006) and a contributor to Routledge Companion to Religion and Film (Routledge, 2009). He is also an independent digital filmmaker.
Introduction Part I: Creative Humanity 1. Dance Of the Humanum: Billy Elliot 2. To Taste and See Heaven's Love: Be with Me Part II: Reconciling Humanity 3. Measuring Forgiveness: The Son 4. A Way To Be Good Again: Kite Runner Part III: Liberating Humanity 5. Playing For Life: Lagaan, Slumdog Millionaire 6. Wheels Of Change: Motorcycle Diaries Part IV: Inclusive Humanity 7. She Who is Three in One: Yesterday 8. Christ-Figure on the Back of a Whale: Whale Rider Filmography Bibliography Index
