Reorienting Ozu

Considered by many film critics and scholars as a master of Japanese Cinema, director Ozu Yasujiro still inspires filmmakers both within and outside of Japan. This book presents new perspectives on Ozu's aesthetic sensibility and his influence on global art cinema directors. With twenty never before published chapters by contributors from the US, England, and Japan, The Cinema of Ozu explores the Japanese director's oeuvre and his lasting impact on global art cinema. Divided into three sections, this edited volume highlights several of the major theoretical frameworks that have come to characterize studies devoted to the director. In doing so, chapters consider the various cultural factors that influenced the director's cinematic output, such as the anxiety of middleclass Japan in the 1930s, the censorship imposed by the US-occupation after World War II, and women's rights in 1957's Tokyo Story.
Ultimately, chapters illuminate Ozu's influence on the directors of Japan and beyond. With the recent restoration and re-release of Ozu's early and late work, this volume provides an opportunity to examine not only the auteur's major works but also the relationships-both cultural and aesthetic-that are forged among directors across the world.

Jinhee Choi is Senior Lecturer in Film Studies at King's College London. Her previous books include Cine-Ethics: Ethical Dimensions of Film Theory, Practice and Spectatorship (2013) and The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs (2010).

- Introduction
- Jinhee Choi
- Branding Ozu
- 1. Watch Again! Look Well! Look! David Bordwell
- 2. Ozu, The Ineffable Darrell W Davis
- 3. Ozu to Asia via Hasumi Aaron Gerow
- 4. A Dialogue with 'Memory' in Hou Hsiao-hsien's Café Lumière - Mitsuyo Wada-Marciano
- 5. Ozuesque as a Sensibility: or On the notion of Influence Jinhee Choi
- Historicizing Ozu
- 6. A New Form of Silent Cinema: Intertitles and Interlocutions in Ozu Yasujiro's Late Silent Films Michael Raine
- 7. Ozu and the Aesthetics of Shadow: Lighting and Cinematography in There Was a Father (Chichi ariki, 1942)Daisuke Miyao
- 8. Modernity, Shoshimin Films and the Proletarian-Film Movement: Ozu in Dialogue with Vertov Yuki Takinami
- 9. Laughing in the Shadows of Empire: Humor in Ozu's Brothers and Sisters of the Toda Family (1941) Junji Yoshida
- Tracing Ozu
- 10. Autumn Afternoons: Negotiating the Ghost of Ozu in Iguchi Nami's Dogs and Cats - Adam Bingham
- 11. Playing the Holes: Notes on the Ozuesque Gags Manuel Garin and Albert Elduque
- 12. Rhythm, Texture, Moods: Ozu Yasujiro, Claire Denis and a Vision of a Post-colonial Aesthetic Kate Taylor-Jones
- 13. Wenders Travels with Ozu Mark Betz
- 14. Look? Optical / Sound Situations and Interpretation: Ozu - (Deleuze) - Kiarostami David Deamer
- 15. Sparse or Slow: Ozu and Joanna Hogg William Brown