Performance Art in Portugal

This study explores the history of Portuguese performance art, in its various "speculative" and "performative" forms.

Cláudia Madeira is an assistant professor and researcher at Instituto de Comunicação da NOVA (NOVA FCSH). She also collaborates at the CET/FLUL as a researcher in the Theatre and Image Research Group.

Acknowledgements Introduction Chapter 1. A Critical Conceptualization from Hybridism Chapter 2. From Proto-Performances to Performance Art Chapter 3. Performance: A Disciplinarily (IN)Operative Concept Chapter 4. From Hybridity to Performance Meta-Hybridism Chapter 5. Conclusion: Art of Performance as the Art of the (IN)Communicability of History Bibliography Index