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Daphne Wright's (b. 1963) sculptures and installa tions bear witness to transience, fragility and the many facets of human life. Through observing them, one senses a certain melancholy, which is under scored by fragile materials such as unfired clay or plaster. This volume offers a comprehensive overview of Wright's fascinating body of work from 1995 to the present. Transitions between childhood and adulthood, between life and death - Daphne Wright's works explore life's liminal spaces, engaging with themes such as care, parenthood and ageing. Using a wide range of materials, she examines everything from common objects and farm animals to her own children, capturing the transience of subtle moments. A fascinating memento mori of contemporary art that challenges and confronts the viewer by means of sometimes life-sized sculptures
Sprachen: Deutsch, Englisch
Penelope Curtis is a British art historian, curator and former director of the Museu Calouste Gulbenkian, Lisbon, and Tate Britain , London. Arie Hartog is director of the Gerhard-Marcks-Haus, Bremen, and chair of the Arbeitsgemeinschaft Bildhauermuseen und Skulpturensammlungen e. V. Mirjam Verhey-Focke has been a curator at the Gerhard-Marcks-Haus, Bremen, since 2018, with a research focus on 'Women Sculptors of the 20th and 21st Centuries'
