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Shields are both weapons and image carriers. The close link between these functions dates back to antiquity but took on fresh significance in the early modern period: at a time when shields were losing their military relevance, they became even more sought-after as image carriers. The weapon found a new purpose in this role. This publication traces the change in the use of shields, showing what it means to carry them as image carriers on one's own body, examining the role such objects play in generating and conveying pictorial meaning, and reconstructing the new functional, spatial and narrative contexts of image shields. The focus is on the key phase from the 15th to the 17th century, with additional insights into antiquity and cultural contexts outside Europe.- A first in-depth examination of the shield as an image carrier and topic of art theory- Presentation of little-known objects from European and American collections- References to the animal kingdom (turtle) and to the processes of transcultural entanglement
Julia Saviello is assistant professor in the Institute of Art History at the Goethe-Universität, Frankfurt am Main. Her research focuses on early-modern art, with studies on topics such as the representation of human hair, conceptions of the beautiful body, objects of applied art as image carriers, and the intersections of ceramics and nature. Her publications include: Verlockungen. Haare in der Kunst der Frühen Neuzeit (2017), Requisiten. Die Inszenierung von Objekten auf der 'Bühne der Kunst' (ed. with Joanna Olchawa, 2023) and Beauty: The Body as Artefact (ed. with Romana Sammern, 2026).
