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The Radical Imaginaries of Speculative Socially Engaged Design challenges dominant assumptions about the purpose and meaning of design in the 21st century. Through an analysis of artistic avantgarde strategies employed by designers to generate impactful social engagement, this book explores the value of design as a collaborative process, rather than an exercise in authority and control. Chapters spotlight designers who respond to urgent technological, environmental and social issues. Katherine Moline examines a range of socially engaged design practices and their international critical reception, from the early 20th century to the present day. Through a series of case studies, she examines work by designers including Dunne & Raby, whose work stimulates discussions around artificial intelligence and the alternative realities of the more-than-human; Martí Guixé, who questions ideas of industrialization and consumerism; and Ana Mir, whose practice disrupts the bourgeois values and moral agenda shaping the ethos of modernist functionalism in design. Other case studies feature the Interaction Research Studio, Gabriel A. Maher, Formafantasma, Benedikt Groß, Lola Greeno, Carl DiSalvo, Onkar Kular and Brave New Alps. Moline demonstrates how these designers experiment with materials, technology and processes to produce powerful, thought-provoking works and mobilize what she terms a radical imaginary sensibility in design. In doing so, she puts forward new theoretical and conceptual tools for evaluating design and argues for the enduring importance of aesthetic theory in understanding both design's historical significance and transformative potential.
List of Illustrations
Introduction
1. Theories of Aesthetics and Social Pacts in Design Discourse
2. Exhibitions of Speculative Socially-Engaged Design
3. Functionalism as the Defining Paradigm of Design
4. Experimenting with Function
5. The Disjointed Temporalities of History
6. Reflecting on Contradictions in Design History
7. Reimagining Aesthetics and Social Pacts
8. Breathing New Life into the Social Pacts of the Creative Arts
9. Open Works in a Pluriverse
10. Opposing Design as a Form of Control
Afterword
Notes
Bibliography
Index
