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This in-depth study on the history of the harp in Scotland draws on unpublished documents, family papers and manuscripts, which throw new light on the background of these ancient and beautiful instruments.
Keith Sanger is well-known in the field of Scottish history for his imaginative and meticulous research. He has published many articles relating to Highland history, early music and Scottish music. A piper himself, he developed an interest in the connection between Piobaireachd and Harp music which, along with the harp playing of his wife, led to a deeper investiation into the history and background of the Scottish and Irish harps in general. Alison Kinnaird has an international reputation as a visual artist and musician. She is also one of the foremost exponents of Scottish harp music, playing both gut and wire-strung Scottish harps.
Foreword 1. Myth and Magic: The Harp in Legend and Song 2. Shapes and Stones: The Earliest Archaeological Evidence 3. Clarsach and Cruit: Early Literary References and Nomenclature in Gaelic Areas 4. Harp and Carp: Early Literary References in Non-Gaelic Areas 5. Harps of Their Owne Sorte: Descriptions of Surviving Instruments 6. Fiction and Facts: The History of the Three Old Harps Examined 7. Court and Courtiers: The Harp at the Royal Court in Scotland 8. The Scots Lairds: The Harp in Non-Gaelic Areas 9. Irish Interplay: Irish Travelling Harpers and Musical Connections 10. Highland Harpers: Highland Clans and Their Harping Connections 11. Rory Dall Morrison and His Contemporaries: Three Harpers of the Mid 17th and 18th Centuries 12. The Atholl Connection: Perthshire as a Centre of Harping Activity 13. Fading Echoes: The Decline of the Harp in the Highlands 14. Puirt, Uirt and Orgain: The Music of the Harps 15. Classic Revival: The Harp in 19th-Century Scotland 16. A Harp New-Strung: The Harp in the 20th-Century. Appendices.
