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This book analyzes the role of romance as a catalyst in remaking Arcadia in five, canonical sixteenth-century texts: Sannazaro's Arcadia; Montemayor's La Diana; Cervantes' La Galatea; Sidney's Arcadia; and Lope de Vega's Arcadia. Collins' analyses of the re-imagined Arcadia in these works elucidate the interplay between timely incursions into the fictional world and the timelessness of art, highlighting issues of freedom, identity formation, subjectivity and self-fashioning, the intersection of public and private activity, and the fascination with mortality.
Marsha S. Collins is Professor of Comparative Literature and Royster Distinguished Professor for Graduate Education at the University of North Carolina at Chapel Hill, USA. She is the author of a book on the historical novels of Pío Baroja, a book on Luis de Góngora's poetic masterpiece the Soledades, and articles on Cervantes, Lope, Galdós, and Unamuno, among others. Her research focuses on the literature of Imperial Spain in a comparative context, the relationship between literature and the visual arts, and romance and other idealizing forms of fiction.
1. Weaving the Arcadian Tapestry 2. In the Ending is the Beginning: Sannazaro's Arcadia (1504) 3. The Metamorphosis of Arcadia: Montemayor's La Diana (1559) 4. Romancing Arcadia: Cervantes' La Galatea (1585) 5. Romancing Arcadia: Sidney's Arcadia (1590) 6. Courting Arcadia: Lope's Arcadia (1598) Conclusion
