Michael Pigott

Wild Sound

Sprachen: Englisch. 22,2 cm / 14,5 cm / 1,6 cm ( B/H/T )
Buch (Hardcover), 224 Seiten
EAN 9781501350917
Veröffentlicht Februar 2026
Verlag/Hersteller Bloomsbury Academic
92,80 inkl. MwSt.
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Beschreibung

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment.
Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment.
The latter half of the book shifts attention from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Portrait

Michael Pigott is Associate Professor at the University of Warwick, UK. He is the author of Joseph Cornell Versus Cinema(Bloomsbury, 2013), and he researches experimental film and video, architecture, VJing, and projection arts. His album, Sounds of the Projection Box, is available on vinyl and digital from Gruenrekorder.

Inhaltsverzeichnis

Acknowledgements List of Illustrations Introduction 1. The Wildness of Sound 2. Ghosts in the Grass 3. Lumberjack Westerns 4. Volcanic Cinema 5. Oceans of Sound Afterword: Atmosphere, Dead Air and the Deep Hum of the World Bibliography Filmography Index

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