Musical Emotions Explained

Can music really arouse emotions? If so, what emotions, and how? Why do listeners respond with different emotions to the same piece of music? Are emotions to music different from other emotions? Why do we respond to fictional events in art as if they were real, even though we know they're not? What is it that makes a performance of music emotionally expressive? Based on ground-breaking research, Musical Emotions Explained explores how music expresses and arouses emotions, and how it becomes an object of aesthetic judgments. Within the book, Juslin demonstrates how psychological mechanisms from our ancient past engage with meanings in music at multiple levels of the brain to evoke a broad variety of affective states - from startle responses to profound aesthetic emotions, and explores why these mechanisms respond to music? Written by one of the leading researchers in the field, the book is richly illustrated with music examples from everyday life, and explains with clarity and rigour the manifold ways in which music may engage our emotions, in a style sufficiently engaging for lay readers, yet comprehensive and novel enough for specialists.

Patrik N. Juslin is Professor of Psychology at Uppsala University in Sweden, where he directs their research and teaching in music psychology. His work focuses on the perception and experience of sound in music and speech, particularly in relation to emotion, also covering areas such as music education, health, music performance, and aesthetics. Juslin co-edited the Handbook of Music and Emotion (2010) together with John Sloboda, and has also previously worked semi-professionally as a guitar player.

- Part I: Introduction - 1: Setting the Stage: Overture in C Major - 2: The Book's Composition: Aim and Structure - 3: The Value of a Psychological Approach - 4: Music, Experience, and Affect - Part II: Expression and Perception of Emotion - 5: What Is Meant by Emotional Expression? - 6: Empirical Studies: What Have We Learned? - 7: Music as Expression: Objections and Obstacles - 8: Breaking the Code: The Musical Features - 9: How Are Music and Emotion Links Studied? - 10: Viewing Music Through a Brunswikian Lens - 11: The Voice of Angels? Iconic Expression - 12: Further Layers: Intrinsic and Associative Expression - 13: Deviation From the Exact: The Role of the Performer - Part III: Arousal of Emotion - 14: Beyond Perception: When Music Moves Us - 15: Does Music Arouse Emotions? How Do We Know? - 16: The Prevalence of Emotional Reactions - 17: How Does Music Arouse Emotions? - 18: Jumping at Shadows: Brain Stem Reflex - 19: Get Into the Groove: Rhythmic Entrainment - 20: Mirroring the Expression: Contagion - 21: Ring My Bell: Evaluative Conditioning - 22: Blast From the Past: Episodic Memory - 23: Seeing in the Mind's Eye: Visual Imagery - 24: What Comes Next? Musical Expectancy - 25: Predictions, Implications, Complications - Part IV: Aesthetic Judgment - 26: Aesthetics: The Hard Problem? - 27: Traditional Approaches to Aesthetics - 28: What's Special? Adopting the Aesthetic Attitude - 29: Aesthetic Criteria: Meet the Usual Suspects! - 30: A Novel Approach Towards Aesthetic Judgment - 31: Aesthetics and Affect in Broader Perspective - 32: The Last Chorus: Putting It All Together - 33: Coda: Final Outlook - Appendix: The Lens Model Equation