Digital Art, Aesthetic Creation

Paul Crowther, using a philosophical approach to art history, considers the first steps towards digital graphics, their development in terms of three-dimensional abstraction and figuration, and then the complexities of their interactive formats.

Paul Crowther is Professor of Philosophy at Alma Mater Europaea - Institutum Studiorum Humanitatis in Slovenia.

A Methodological Prologue Introduction: The Possibility of Digital Art Chapter 1 - Machine-Being : Desmond Paul Henry's Computer Art Chapter 2 - The Emergence of Digital Art Chapter 3 - Digital Plasticity and Its Objects Chapter 4 - Echoes of Nature, Enhanced Realities: The Rise of Digital Figuration Chapter 5 - Computer-Assisted Hybrids Chapter 6 - Interactivities