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The Dead City unearths meanings from such depictions of ruination and decay, looking at representations of both thriving cities and ones which are struggling, abandoned or simply in transition. It reveals that ruination presents a complex opportunity to envision new futures for a city, whether that is by rewriting its past or throwing off old assumptions and proposing radical change. Seen in a certain light, for example, urban ruin and decay are a challenge to capitalist narratives of unbounded progress. They can equally imply that power structures thought to be deeply ingrained are temporary, contingent and even fragile. Examining ruins in Chernobyl, Detroit, London, Manchester and Varosha, this book demonstrates that how we discuss and depict urban decline is intimately connected to the histories, economic forces, power structures and communities of a given city, as well as to conflicting visions for its future.
Paul Dobraszczyk is a visiting lecturer at the Bartlett School of
Architecture in London. His research focuses on visual culture
and the built environment from the nineteenth century onwards,
and he is author of Iron, Ornament and Architecture in Victorian
Britain (2014) and London's Sewers (2014), as well as co-editor
of Global Undergrounds: Exploring Cities Within (2016) and
Function and Fantasy: Iron Architecture in the Long Nineteenth
Century (2016).
Introduction: urban ruins, exploration and the imagination
I: Histories
1 Post-apocalyptic Londons: imagining the death of a city
2 Remnants of disaster: ruins in post-industrial Manchester
II: Explorations
3 Fantasy and experience: ruin gazing in Varosha
4 Disaster and memory: the ruins of Chernobyl and Pripyat
III: Futures
5 Urban futures, art and the imagination of Detroit
6 Suspended futures: urban ruins in reverse
