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Noise has become a model of cultural and theoretical thinking over the last two decades. Following Hegarty's influential 2007 book, Noise/Music, Annihilating Noise discusses in sixteen essays how noise offers a way of thinking about critical resistance, disruptive creativity and a complex yet enticing way of understanding the unexpected, the dissonant, the unfamiliar. It presents noise as a negativity with no fixed identity that can only be defined in connection and opposition to meaning and order. This book reaches beyond experimental music and considers noise as an idea and practice within a wide range of frameworks including social, ecological, and philosophical perspectives. It introduces the ways in which the disruptive implications of noise impact our ways of thinking, acting, and organizing in the world, and applies it to 21st-century concerns and today's technological ecology.
Paul Hegarty
Introduction: Where Is Noise as Practice and Theory Today? I. Ungrounding 1. Earth Apathy: A General Ecology of Sound 2. Catch and Capture: 'Field' and 'Recording' in Field Recording 3. The Empty Channel: Noise Music and the Pathos of Information 4. Eon Cores: Noise Prospecting in A Personal Sonic Geology II. Unsettled 5. Is There Black Noise? 6. After Generation: Pharmakon, Puce Mary and the Spatialized, Gendered Avant-Garde 7. The Silence III. Unmoored 8. Playing Economies 9. The Spectacle of Listening 10. The Restoration: Vinyl and the Dying Market 11. The Hallucinatory Life of Tape IV. Undermined 12. Supplementing (in) Joy Division, Unknown Pleasures 13. Less Familiar: The Near-Music of David Jackman and Organum 14. BUNK: Origins and Copies in Nurse With Wound and The New Blockaders 15. Vile Heretical Misprision: Dante's Commedia as Metal Theory 16. Noise Hunger Noise Consumption: The Question of How Much is Enough Index
