Roger Waters and Pink Floyd

This book combines literary and film criticism with musical hermeneutics and discourse analysis to illustrate how sonic information contributes to the detached listener’s interpretations of the discerning messages of Pink Floyd’s monumental recordings.

Phil Rose teaches in the Department of Communication Studies at York University in Toronto.

Preface Introduction Chapter 1: Dark Side of the Moon Chapter 2: Wish You Were Here Chapter 3: Animals Chapter 4: The Wall Chapter 5: The Final Cut Chapter 6: Amused to Death Appendix: Interview with Roger Waters Works Cited and Consulted Album Information Index About the Author