The Uncapturable

The Uncapturable is a wide-ranging reflection on the art of the mise en scène from the perspective of leading Argentinian theatre director Rubén Szuchmacher. It offers a timely and concise, though comprehensive, survey of the role and responsibility of the theatre director from the earliest times to the twenty-first century.
Szuchmacher defines theatre as the confluence of four art forms - architecture, visual art, sound and literature - whose works only truly exist in the moment of encounter with an audience. He argues that, by taking full account of these four art forms, analysing them in detail and engaging thoughtfully with the many specialists who come together to bring a mise en scène into being, the director of today can still create work that innovates and inspires.
The Uncapturable is as valuable to the apprentice director emerging from their training as it is to the veteran in need of fresh reflection. Szuchmacher draws on the unique learnings gleaned from working in Argentina, be it the impact on theatre of politics, the need for inventiveness in times of hardship, the phenomenon of Argentine 'circus theatre' or the adaptation of literary giants such as Borges, affording the Anglophone reader an alternative perspective on the ideas of theatre we often take for granted.
Szuchmacher offers a unique blend of global knowledge, historical awareness and a pragmatic, resourceful and creative approach from a theatre artist working in Latin American through decades of change.
The book is translated from the Spanish by William Gregory.

Rubén Szuchmacher is one of Argentina's leading theatre and opera directors, who has directed in his country's major institutions and toured worldwide. He is also a stage and screen actor and choreographer, has managed theatre buildings and has taught theatre direction in universities in Argentina, Spain, Mexico, Chile and Uruguay. In 2016, he was awarded a Premio de la Trayectoria (lifetime achievement award) by the Argentine Instituto Nacional de Teatro (National Theatre Institute).
William Gregory is a translator whose translations of leading Spanish and Latin American dramatists have been produced by the Royal Court Theatre, Gate Theatre and the BBC. He is a regular translator and script advisor for the international department at the Royal Court Theatre, translation editor for the online theatre journal The Theatre Times and a Visiting Research Associate at King's College London.

Introduction
Object and Action (1 & 2)
Part One
The Arts in the Mise en Scène
Architecture
The Historical Features of Spaces
The Shape of Space
The Effective Space
Visual Art
The Awareness of the Eye
The Visual and its Costs
The Eye of the Beholder
Sound Art
How Long Does Something Last?
Music
Sound versus Noise
Acoustic Sound and Amplified Sound
Voices
Literature
Words
Language
The Hypothesis of Performance
Texts to be Read and Texts to be Heard
Text Analysis
Part Two
The Place of the Director
Who Directs?
The Uncapturable (1 and 2)
The Director's Word
Teamwork
The Director and their Place as Spectator
Danger in the Performing Arts
Questions
Simultaneity
Art or Entertainment
Tours and Transfers
Actors at the Centre of the System
The Arbitrary and the Law
Friction
Acknowledgements