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This book examines DIY approaches to the collection, preservation, and display of popular music heritage by volunteers in community archives, museums, and halls of fame globally. Focusing on 23 institutions, it outlines the potentialities of bottom-up, community-based interventions into the archiving and preservation of popular music's material history. The book highlights how DIY institutions build upon national heritage strategies at the community level and have the capacity to contribute to the democratization of popular music heritage. It will appeal to a range of scholars in popular music, archive studies, museum studies, critical heritage studies, cultural sociology, and media studies.
Sarah Baker is an Associate Professor of Cultural Sociology at Griffith University, Queensland, Australia.
1. The Do-It-Yourself Approach to Heritage: An Introduction 2. The Global Extent of DIY Institutions: Popular Music Archives, Museums and Halls of Fame Around the World 3. Founding DIY Institutions: Saving Popular Music's Material Past from the Rubbish Dump 4. Places for Living: The Volunteer Experience in DIY Institutions of Popular Music Heritage 5. Communities of Heritage Practice: Becoming a Professional Amateur in Popular Music Preservation 6. Relationships with Authorized Heritage Institutions: Drawing on Others' Expertise 7. DIY Futures: The Challenge of Sustainability Index
