The Concerto

Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.

Brad Eden, Stephan D. Lindeman

Chapter 1 General Studies of the Concerto Genre; Chapter 2 More Specialized Studies; Chapter 3 Program Notes; Chapter 4 Performance Issues; Chapter 5 Concerto Form as Discussed by Contemporary Theorists and Critics; Chapter 6 Contemporaneous Critics, Historians, and Writers; Chapter 7 Contemporaneous Theorists; Chapter 8 Composers and Their Concertos;