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Two outstanding examples of socialist-themed plays are combined in this remarkable volume. The Conspiracy of Feelings by Yurii Olesha (1899-1960) is based on his highly respected short novel Envy about the struggle between the old and new in Soviet society. The play, called The Conspiracy of Feelings, is not a simple adaptation, but an original work that reconceived the novel. The play explores the precarious position of the intelligentsia in the new collective state. The Little Theatre of The Green Goose was written by Konstanty Ildefons Galczynski (1905-53) who was one of Poland's most beloved poets. After World War II, he began work as a playwright, inventing a colorful theatre troupe of performers (animal and human) and contributing a new instalment of The Little Theatre of the Green Goose each week to Przekroj, the Cracow literary magazine. Intended for reading only, The Green Goose went unperformed in Galczynski's life and was finally staged in 1955 and gained a permanent place in the theatre and became a force for the creation of the new Polish drama that flourished in the 1960s.
Daniel Gerould is Lucille Lortel Distinguished Professor of Theatre and Comparative Literature at the City University of New York. He is the Editor of Slavic and East European Performance and of Harwood Academic Publishers' Polish and East European Theatre Archive series.
Introduction to The Conspiracy of Feelings; Note on the Text and the Translation of The Conspiracy of Feelings; The Conspiracy of Feelings by Yurii Olesha; Appendix; "The Author About His Play"; "Notes of a Dramatist"; Alternate Ending to The Conspiracy of Feelings; Anatolii Lunacharsky on The Conspiracy of Feelings; Mariya O. Knebel on A. D. Popov: Director, Teacher, Friend; Selective Bibliography; Introduction to The Little Theatre of the Green Goose; The Little Theatre of the Green Goose;
