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Astaire by Numbers looks at every second of dancing Fred Astaire committed to film in the studio era--all six hours, thirty-four minutes, and fifty seconds. Using a quantitative digital humanities approach, as well as previously untapped production records, author Todd Decker takes the reader onto the set and into the rehearsal halls and editing rooms where Astaire created his seemingly perfect film dances. Watching closely in this way reveals how Astaire used the technically sophisticated resources of the Hollywood film making machine to craft a singular career in mass entertainment as a straight white man who danced.
Decker dissects Astaire's work at the level of the shot, the cut, and the dance step to reveal the aesthetic and practical choices that yielded Astaire's dancing figure on screen. He offers new insights into how Astaire secured his masculinity and his heterosexuality, along with a new understanding of Astaire's whiteness, which emerges in both the sheer extent of his work and the larger implications of his famous "full figure" framing of his dancing body.
Astaire by Numbers rethinks this towering straight white male figure from the ground up by digging deeply into questions of race, gender, and sexuality, ultimately offering a complete re-assessment of a twentieth-century icon of American popular culture.
Todd Decker is the Paul Tietjens Professor of Music at Washington University in St. Louis. He has published four books and many articles and book chapters on popular music and media in the United States in the twentieth and twenty-first centuries, including Show Boat: Performing Race in an American Musical. Decker has lectured on the stage and screen musical at the Library of Congress and London's Victoria and Albert Museum and was featured in a 2019 BBC World Service documentary on the song "Ol' Man River."
- Introduction
- One: Numbers
- Two: Shots
- Three: Days, Hours, Minutes
- Midpoint: "I just / Won't / [don't?] Dance"
- Four: Frames, Sets, Cuts
- Five: Partners
- Six: Noisy Masculinity
- Conclusion
- Appendix One: Astaire films corpus
- Appendix Two: Astaire dancing corpus by number
- Appendix Three: Astaire dancing corpus by shot
- Acknowledgements
- Notes
